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Antarctica: ‘A genuine once-in-a-generation writer.’ THE TIMES

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webmaster, Arts Council (12 October 2019). "Writer-in-Residence/Fellowship Appointments 2019/2020". www.artscouncil.ie.

Those kept in the confines of the laundries were often described as ‘fallen women’. Discuss what is meant by this and how the women in Irish communities were powerless against the church. It was December; she felt a certain closing on another year. She needed to do this before she got too old.”

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Discover the authors nominated for the Ireland Francophonie Ambassadors' Literary Award 2021". Ambassade de France en Irlande - French Embassy in Ireland. In a transfixing appearance on American TV twelve years ago, Keegan invoked caution and reluctance when speaking about her writing and said she was suspicious of any idea that presented itself to her with excitement. Hers was unlike any other interview with an author I’ve seen. Motionless, concentrated and pragmatic, she extended to her creations the sort of courteous interest one might take in a young cousin. Nothing about self-expression. Yet an absolute correspondence between her presence and her fiction.

Este es el primer libro que leo de esta autora y también el primero que ella editó. Admito que la idea de que el paisaje de Irlanda se vea reflejado en sus páginas fue lo primero que me atrajo, pero jamás pensé encontrarme con un estilo así de crudo. I put my left hand between my legs —not—to masturbate - some type of protection comfort - maybe — over my underwear. Claire Keegan: 'Short stories are limited. I'm cornered into writing what I can' Interview". The Guardian. 4 September 2010. She doesn't vehicle any direct sociocultural messages or try to convert or moralize the reader but focuses instead on projecting a vision ( The Art of Fiction is the Art of Making Pictures: if you are not making pictures with your words, then you are using cerebral observations. The reader can’t see any of those.) and let the reader live it with her talent for finding the right word for the right moment and her dexterity with language in giving great importance to common details that other writers would dismiss simply because they happen every day. This makes Keegan's writing a breath of fresh air in the literary world.Together, they will confront their past, the source of all their trouble, and stamp it out. That, at least, is the theory.’ Confined for decades while starved of food and education, many became isolated from society and institutionalised. While there, many lost their own lives, as did their children. Buch. Condition: Neu. Neuware - From the opening story about a married woman who takes a trip to the city with a single purpose in mind - to sleep with another man - Antarctica draws you into a world of obsession, betrayal and fragile relationships. In 'House Calls', Cordelia wakes on the last day ofthe twentieth century and sets off along the coast road to keep a date with her lover that has been nine years in the waiting. In 'The Singing Cashier', a local postman visits two sisters bearing fishy gifts in the hope that his favour will be returned in kind. One of the most moving and disturbing stories in the collection, 'Passport Soup', features Frank Corso, who sits alone eating green tomatoes and bacon, mourning the disappearance of his nine-year-old daughter: 'At one point in that late evening, she was there, and then she wasn't.' Keegan's characters inhabit a world where dreams, memory and chance can have crippling consequences for those involved. Compassionate, witty and unsettling, Antarctica is a collection to be savoured. Englisch. Compassionate, witty, and unsettling, Antarctica is the debut collection of one of Ireland’s most exciting and versatile new talents. Claire Keegan, winner of several prestigious awards including the William Trevor Prize, writes stories that have a razor-sharp narrative style and unembellished tone, and move from the cruel, hard life of rural Ireland to the hot landscape of the southern United States. And I won’t comfort you. I will not be the woman who shelters her man same as he’s a boy. That part of my people ends with me.’

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